Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands.
d.June 25, 1912, Wiesbaden, Germany.
Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail. Related Paintings of Alma-Tadema, Sir Lawrence :. | God speed | A Juggler (mk23) | Phidias Showing the Frieze of the Parthenon to his Friends (mk23) | The Way to the Temple (mk23) | Coign of Vantage (mk23) | Related Artists: Sir Edward Coley Burne-JonesBritish Pre-Raphaelite Painter, 1833-1898
English painter and decorative artist. He was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the Aesthetic Movement and the history of international Symbolism. Antonio Joli1700-1777
Italian
Antonio Joli Gallery
Born in Modena, he first apprenticed with Rafaello Rinaldi. He then worked in Rome with Panini and the Galli-Bibiena studio. He became a painter of stage sets for the theater in Modena and Perugia. By 1735, he had moved to Venice and stayed till 1746, when he traveled to Germany, London (1744-48), and Madrid (1750-54). In London, he decorated the Richmond mansion of the director of the King's Theater at Haymarket, John James Heidegger. He returned to Venice in 1754, where he became on of the founding members of the Accademia di Belle Arti di Venezia. He traveled to Naples in 1762, and stayed there until he died.
Cornelius KrieghoffDutch-born Canadian Painter, 1815-1872
Canadian painter of Dutch birth. He learnt the rudiments of music and painting from his father and about 1830 attended the Akademie der Bildenden Kenste in D?sseldorf. He moved to America c. 1835 and enlisted in the US army. In New York he met Louise Gauthier, a French-Canadian, and settled in Montreal with her in 1840, working as a painter and a musician. In 1842-3 he had a studio in Rochester, NY; in the following year he studied in Paris, making copies in the Louvre. Returning to Canada in 1845, he painted portraits in Toronto, and from 1845 to 1853 he lived in Longueuil and then in Montreal, where he produced genre paintings, landscapes and portraits. He exhibited in Montreal and Toronto, and a series of lithographs were published after his drawings. However, he found it difficult to sell his work in Montreal and had to resort more or less completely to sign-painting for a living. About 1853, at the instigation of the auctioneer John Budden, Krieghoff settled in Quebec City. He lived there for 11 years, making several trips to Europe. During this period of intensive production, he achieved popularity and prosperity and painted his best-known pictures, which were scenes depicting the local townspeople and the North American Indians, and views of Quebec City and the surrounding region. About 1858 he made panoramic paintings of Canada for the Provincial Parliament buildings in Quebec. From 1864 to 1867 he lived in Paris and Munich,
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